This post will be the last to include a new musical piece in 2014. Its been a good run and for me its been a breathless run, grabbing available time to throw herbs & sources into the mix. This one is the end of the Norfolk Cycle and finishes with a piece inspired by Hampshire & Wiltshire.
Some number of years ago I attended Winchester School of Art and during the first week of December, with Mrs A4+, I went back to have a look around- with the best part of 25yr gap. It was a bit of a flash back pilgrimage, I still have occasional dreams that fix in the town, and I was interested to see any changes that have occurred. The WSA Campus is a lot bigger, there are new shopping centres, but the core of the main thoroughfare and are around the Cathedral are unchanged. With a little more time I would have liked to walk some more of the area, the Water Meadows, the riverside area, St Catherine’s Mount but overall the visit was satisfying.
The one thing I did want to do when in that neck of the woods was to visit Stonehenge. Whilst its more associated with Salisbury its only 20mins drive away from Winchester. I am really quite entranced by the countries very early history, stone circles and long barrows of the peak district I’ve referenced previously in pictures, sounds and moving images. Stonehenge is the ‘holy grail’ (ok, maybe thats in Glastonbury theoretically) being the largest megalithic structure in Northern Europe. Raised between 3000 & 2000 years BC its an unbelievably impressive example of planning & will. The stones were transported over huge distances, shaped with minimal available materials, organised and plotted with unerring precision and raised by methods we can only guess. The site was used over a millennia and was adapted and evolved throughout that time.
Bronze Age people produced monuments from the Mediterranean, through central Europe and up into the British Isles that have endured and surpassed constructions from later more adept civilisations. I’m always struck by the thought of the individual the directed the concept. No matter what the capability of the hive, there must be an architect, scratching in the sand, watching the sky, pointing the way.
The following images are Holga photographs on 120 film with intentional overlapping.
Winchester Cathedral is a similarly engrossing edifice. When at college I spent quite a lot of time in there, copying patterns, looking at sculpture and being overwhelmed by the architecture. Despite my issues with organised religion I’ve always been fascinated by the power of spaces such as this. They exemplify wonder & glory even though in the main they were constructed through forced labour, associated poverty and coercion over extended periods of time. From York & Lincoln Cathedrals in the UK, the Sacre Coeur in Montmatre, the Alhambra Palace in Granada and the Sagrada Famila in Barcelona the human impulse to honour abstract and indefinite visions is frightening in its intent.
The following are some motion blur picture taken of the windows in Winchester Cathedral.
So at the end of all this what are we left with? An admiration of the designer, an inability to understand the effort and methods of the builders and the chatter of history – wedding and flowing in it’s attempt to theorise the cause and inception of these great things.
The song / soundscape that I’ve ended up with is a long form piece, a snick over 25 minutes long. It’s roughly in three parts although the overlay doesn’t lead to clean section breaks. The sections are essentially Conception-Construction-Communion.There are repeated sounds in each that link them but they ultimately form the ‘Trilithon. the rock in three parts.
The track uses my ‘kitchen sink’ of tools including Launchpad (for the majority of the chill/cinematic sounds), Amplitude (for effected guitars and for the first time real bass guitar) and is finished off using LANDR mastering which whilst ‘off the peg’ seems to work well in bringing everything to workable level. The middle section might have the affect of inducing some anxiety but it does ‘come down’ in the closing section. In the words of Bill Hicks “it’s just a ride”.
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The Grey Ladies & Arbor Low
The Grey Ladies is a small monument near to the Nine Sisters and Dol Tor. It is located on private land a little distance from Youlgrave. Like the the Sisters and Dol Tor its proposed age is between 3000 & 4000 years. All that now remains are four large up right stones (so really a stone square). Previous investigations suggest there were once nine stones. Those remaining are a little over 6 foot tall and more imposing than the smaller stones of the Sisters and Dol Tor.
Standing high above the Ladies is the natural rock point of Robin Hoods Stride. From the top of this you can get a good 360 degree view of the local area.
I took a couple of rolls of 120 & 35mm film as well as the digital images below. I’ll post those separately at a later date.
As shown above, on the day we visited the land owner had decided to park is trailer in the middle of stones which didn’t afford the best overall views of the stones but I’ve tried to make the best of the situation.
The image above looking through two of the stones and up Towards Robin Hoods Stride.
The view below is a panorama from the top of Robin Hoods Stride looking down into the field where the Grey Ladies reside.
And the image below, standing on the incline leading up to Robin Hoods Stride.
The informative Northern Antiquarian blog suggests the following about the area;
“One of the old names of this site was The Grey Ladies. This came from the well known tale found at other sites across the world, that some ladies were dancing here at some late hour and were turned into stone. A variation on this theme told how Robin Hood stood on the nearby rock outcrop to the south and pissed over the landscape here, “where seven maidens upon seeing it turned to stone.” In this case, Robin Hood replaced an older, forgotten account of a giant, who forged the landscape and the sites around Harthill Moor. and also another tale — whose origins and nature are allied to that of the petrification of the Grey Ladies — narrated with considerable sincerity by local people, was that the circle was a place where the little people gathered and where, at certain times of the year, “fairy music and the sight of hundreds of dancing shapes around the stones” would happen.”
Moving on from the Grey Ladies we went to Arbor Low. This is a large Stone Age henge high on the White Peak with dramatic views across the valley. The site is managed by English Heritage. this Northern Stonehenge has a deep circular ditch and high barrow, its also overlooked by a large Bronze Age buried mound known as Gib Hill. The wind is biting when standing on the high border mound but disappears when you walk down into the ditch. All of the stones now lie flat to the ground but its theorised that they would have been upright and greater in number when it was originally in use. Its a dramatic and impressive site.
Below is a panoramic view from the head mound, looking down across the valley below.
Two further images here, the second from inside the circle.
I’m constantly intrigued by the ancient history in the region just north of Nottingham, including the amazing Cresswell Crags which has some of the oldest Ice Age cave markings in the country. The combination of isolated and often unaffected landscape and the effort of our ancestors to produce works of mysterious significance and great permanence resonate with living history.
Below are some links to further information.
http://www.peakdistrictinformation.com/visits/arborlow.php
http://en.wikipedia.org/wiki/Arbor_Low
http://en.wikipedia.org/wiki/Nine_Ladies
https://adrian4acn.com/2013/06/16/creswell-crags/
https://adrian4acn.com/2013/05/06/the-nine-ladies-arbor-low/
https://adrian4acn.com/2014/03/23/dol-tor-stone-circle/
https://megalithix.wordpress.com
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Tagged as Arbor Low, Bronze Age, Derbyshire, Dol Tor, English Heritage, Gib Hill, Grey Ladies, iPhonography, Robin Hood, Robin Hoods Stride, Stonehenge, the Sisters, White Peak