I’m posting this for house keeping as much as interest. This has been on the blog as page for quite some time. That particular page will be replaced to reflect the larger project in the next few days but I didn’t want to lose this entirely. So, step back in time to November 2013 and dive into ‘Sea Song’.
This piece started life in the back of my mind a month or more before we went on holiday in September. I used some ‘field noise’ in a few of my previous audio creations and broadly had in mind something in the ambient vein, lengthy and unstructured, painterly if at all possible.
As I’m not bound by the need to be taken seriously or to generate income from these exercises I’m blessed with the freedom to let the process happen. As with many good intentions I collected far less environmental noise than I had hoped and ended up with only limited material. From the beginning of the piece there is an almost white noise wave hiss, this has been chopped, echoed, stretched and spliced through out the piece.
The rhythm track is built up using 60bpm sequences created in DMX#1 on iPad. The intent being to slow down the heart rate, much like the calming experience of watching waves hit a beach or as is used further on, watching the flow from a water fall hit the pool below.
Further related images and sounds were gathered from both Wollaton Park and Newstead Abbey. Newstead in particular has a feature lake that feeds a number of water features, falls & streams that have all given poetic and meditative pleasure for many years. Like the wind effects I used in the Gib Hill piece these environmental backdrops provide an anchored and enduring point of reference for deep lying human experience.
I had very much intended to create a single lengthy work and the overall extent of the final item (which runs to a little over 24mins) was determined by a 4x stretch of the base wave noise recorded in Majorca. True speed usage of the sound also reveals the only human noise, the voices of children jumping waves.
Through the more intense third quarter the sounds from the waterfall at Newstead take precedence, that absorbing crushing flow (recorded from behind the fall), linked with the guitar feedback and single note bass.
The still images included here are shot on an iPhone using the Hipstmatic app. Hipstamatic was the reason I first got an iPhone four years ago and still find it to be a hybrid of dice and sketch pad when it comes to snatching an affected memory. In the first instance these had a monochrome sepia tone but this has been removed for a pure grainy B/W final image.
In much the same way the video content has been captured on the iPhone and processed, de-coloured, filtered and slowed down using iMovie. The hypnotic effect of letting your eyes defocus whilst staring at the sea or a reflecting pool, Narcissus face flowing into the weeds and pebbles under the surface of the water. The movie was shot in HD and all credit to You Tube for taking the best part of 24hrs to cook the file into a viewable movie.
This is the full audio version of Sea Song (Water in my Eye)
This is the video.
Please enjoy, download and share freely.
Sea Song and other fictions….the album.
I can now report that my third musical venture has landed. ‘Sea Song and other fictions’ is available to buy and download from my Band Camp page. You can find it here.
I have written an epilog / postmortem /sleeve note for the project which has its own page here . I hope this goes some small way to explain the project.
Thank you for your attention to this matter.
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Filed under Comment, Hipstamatic, iPhonography, Music, Video
Tagged as A4+, Ambient, Art Noise, Cinamatic, Dol Tor, Ebow, Giclee, iPad, Korg Gadget, Majorca, Sci-Fi, Sonic Attack, Sparklehorse