Quite a busy week on the Glove of Bones site. Please visit the site and sign up for notifications. Its not bad.
Thank you for your attention to this matter.
Re-posting the last two blogs here for brevity.
Showing here for the first time are the raw scans of the images used in the Book of Bones to illustrate the songs. As previously detailed these images are a collaborative effort between my children and my self. I provided them with a list of elements; a spaceman, a ghost, some fish, a monster, a guitar etc – and left them to it. The versions that appear on these pages are my reproductions of their creations.
The next stage for these will be some small edits and corrections before putting them back into print, possibly with a view to producing a limited edition.
Two recent associated musical projects have also been posted to Bandcamp this week. Both are available as free downloads in high quality FLAC files.
On Tuesday 3rd of November the brilliant digitalDIZZY net label released the Soundtrack of the Glove of Bones film on their Bandcamp page. It’s great to get this vote of confidence and interest in some of the creations from this project.
The OST for the film can be downloaded in high quality FLAC format for free on the links below.
50/50 – Song Cycle
The release of the OST seemed to be an appropriate prompt to release the 50/50 song cycle on Bandcamp. This is also a free download but also includes so hopefully interesting additional products.
Glove of Films
On one of the ‘other’ channels of my on-line time frittering I did this. Please feel free to follow The Glove of Bones if you don’t mind inviting this kind of occurrence into your digital file. If nothing else it uses a very nice theme.
Information in relation to work flow.
When I started planning the musical aspect of 50/50 it was under the A4+ brand, as per previous issues. The theme of biography was implicit, the format (five 10 minute songs, each broadly representing a decade of life) was built in, and other intentions of continuity (all the visual content would be monochrome for example) seemed reasonably attainable.
As with all such grand schemes it seemed likely that supplementary materials would emerge so the idea of an epilog sprang to mind (and in fact inspired the ‘segue’ pieces), cutting in existing references into a mash-up, sweeping the floor, exhibiting good recycling practices. At some indeterminate point the ‘Glove of Bones’ phrase gained traction and from that the idea of a filmed piece. This is the outcome.
“The tooth root and aching backbone of the Glove of Bones creative project was an idea for a road movie without a road, a biography without a chronology or subject and an imaginary soundtrack for a film, based around a real movie.”
Almost a film in five equal sections with both structured musical content and more abstract found, soundscapes, atmosphere. Holmes would have a field day with the evidence but like all good conspiracy pedlars, I prefer to protect my sources.
I would like particular to credit the use of the ‘Holcombe Tarot’ by Wayne Burrows. I’m continually impressed by his diversity of creation. The Tarot can be seen in use somewhere around the 25 minute mark.
There are a small number of filmic references which movie geeks will spot. They are cited as points of reference for the various immersions the biographical subject has encountered and soaked up. I do not and would never claim any rights to these reflections.
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