Tag Archives: CBG

More Holga fun & The Great Yare

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One of the ‘left overs’ from the Hemsby Havok page is a couple of rolls of Holga 120mm film. I took a roll of Kodak colour film and a roll of Ilford B/W (both out of date) with me. Unlike iPhonography its old school point and shoot with no preview or review. I very mush intended to make use of every exposure and tend part wind the frames so there are double exposures and near panoramas. After getting the film developed (or washed, a phrase I like) I get them scanned as a single strip and then chop and process them on iPad in Snapseed (with a little bit of Photoshop).

These are mainly taken on the dunes or on the beach. I’ve not added any imagery or cleaned them other than a little sharpness & contrast. They have the vagary of memory, fleeting and not entirely accurate. I still find them evocative.

This is the first set from the colour film roll. I had the view set to 16 frames so the individual frames are a little more portrait than the 12 view. Click on any of the images for full screen view.

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The second set are from the B/W film. The linear & text artefacts are from the editing process, accidental but included for continuity.

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One final addition, also a result of road trip is a musical piece. There are little roads and alleys in the are near where we stayed called ‘The Craft’ and ‘The Loke’ (bar, bolt) which to my mind have a slightly witchy and medieval connotation. For that reason this ‘song’ uses (just like the ‘Hounds of Love’) a little background noise from the brilliant movie ‘Night of the Demon’.

There are 3 or 4 basic levels of slide guitar noise used in this, all recorded one evening after the children had passed into exhausted reverie, using the CBG guitar, iRig and Amplitube. Its turned out unexpectedly very much as I’d intended.

This is ‘The Great Yare’ My advice is to play it loud.

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Hallucinogenic Toreador

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Several weeks ago I watched ‘Sound City’, Dave Grohl’s documentary about the LA recording studio that has serviced dozens of classic albums. Towards the end, Dave & Krist from Nirvana play with Paul McCartney. Macca uses a CBG which looks odd but sounds great.

I week or so later I was chatting with Chris Olley and he said that after that movie the price of a decent CBG went up from around £60 to a few hundred quid.

I had a look on EBay and found a few decent looking user made instruments. One particularly instrument caught my eye. Instead of a traditional box it had a round body, being made from an Acacia fruit bowl. It’s was finished with Jack Daniels labels and looked TDF. Unfortunately I bottled on the final bids as it closed a little under £100.

Undeterred I emailed the seller. As it transpires a retired musician living on the edge of the Peak District making instruments for enjoyment. We agreed on a new build and I had an option on finish. It was a fairly spontaneous choice evolving from the conversation but I’m pleased with the use of Salvador Dali’s Hallucinogenic Toreador as the theme.

I collected the guitar earlier in the week. Plugged in and with a little reverb, with its hard wood bowl base and resonator filters (plumbing accessories?) it has a rice deep tone. It’s has a high action but is perfectly suited it slide playing.
Metallic and ringing, full of innate noise.
As the maker pointed out, the original CBG users had crates, planks and fence wire to work with. It’s not the sound that counts, but what you do with it.

That’s my next quandary.

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