Tag Archives: Bob Dylan

Yet another Annual Review of 2015

Really, I’m not big on lists, music criticism, reflection or history. Yet for some perverse reason I’ve posted Annual Best of posts pretty much since I started this blogging thing. The main reason being it compensates for poor memory. In doing this list I had to check my calendar and a pocket of receipts to verify what I’ve done over the last 12 months. Shocking isn’t it, age is catching up with me, living in the moment is the only option.

This years version is split over live & recorded. I’ve not included any musical purchases of music not released this year (unless indicated or where I’ve cheated). I’ve also cut back on the critique in relation to the recorded stuff, theres column inches of that self absorption out there. Lists and best off are just examples of the bubble that the commentator lives in, my aim if any above aid-memoire is to guide you dear reader to somethings that may have not burst your bubble. Also, don’t look for chronology or ratings, I’m not responsible enough for that. So, lets start with gigs, these chronologically listed.

British Sea Power - Derby Theatre

Jan 10th – British Sea Power – Derby Theatre

More intrigue than fandom. This was the tour where they played with a Brass Band. I only really knew their first two albums which I recall liking. The concept worked well when it gelled but I did find some of the orchestrated parts shoe horned in. Worth a look though.

J Mascis - The Rescue Rooms 2015

Jan 16th – J Mascis – Rescue Rooms

Slacker Prince of Shred. I’ve seen him a dozen times but never solo. A great way to start the year especially as it wasn’t that packed and I got to stand front & centre. He played a great selection of tunes from his not insubstantial song book. The treat though was up close view of his loop building on the fly. I would always jump at a chance to see J.

JAMC - Rock City

Feb 22nd – JAMC – Rock City

The first time I’ve seen these. Like many bands they were on a ‘play x album back to back’ Rock City was absolutely rammed and the sound was monstrous as you’d expect as they slowly pushed past 11. The album was Psycho Candy which to be fair is a great album, the first half of the show was best of the rest which I think I preferred.

Hookworms - Rescue Rooms

March 22nd – Hookworms – Rescue Rooms

These Sheffield boys share a label with some local bands so have played here before. They work on the long near drone punctuated by great melodies and a flying vocalist. Definitely worth a visit and really enjoyable event.

Wire - rescue Rooms

April 22nd – Wire – Rescue Rooms

Another band that I’ve enjoyed over the years but never seen live. This was a standout surprise of a gig. They played almost entirely new material and it held my attention throughout. They walk their own groove, a little like Hookworms with long limited chord songs but great dynamic and masterful sonics. A highlight of the year.

Nick Cave - RCH Nottingham

April 30th – Nick Cave – RCH

This came with a lot of loaded expectation. One of my favourite artists who I’ve seen several times over the years. The last time he played the Royal Concert Hall was on another ‘Nick Cave’ solo tour with the proto Grinderman line up. That was ‘intimate’. This was expansive. A near full Bad Seeds line up, lots of pretty lights and long long show. Cave is the king of stage craft, interacting with the audience, chatty light and full of jokes. And the songs are immense and played to perfection. Not just gig of the year but in the list of best evers.

Grey Hairs

June 19th – Prolapse / Grey Hairs – The Maze

I was attracted to this by the support band, local grunge paddlers Grey Hairs. They released their debut LP this year which is jolly excellent. They gave good gig on the small stage in the Maze. I think I missed Prolapse first time around. A post MBV/Curve/Slowdive shoe gaze band with added regional kitchen sink drama. It was good.

Ex Easter Island Heads

July 25th – Ex-Easter Island Heads – BoHunk Inst

I missed these when they played in 2014 so was keen to make sure to see them this time around. They play electric guitars, lain flat and in odd tunings by variously hitting them with batons & sticks. Invariably long tunes building on rhythm and repetition. It’s very hypnotic especially in a small gallery venue when you are standing at arms length from the performers. Look them up on Bandcamp. Worth a listen I guarantee.

Mike Watt

Sept 10th – CUZ – The Maze

CUZ are Sam Dook and ace of bass Mike Watt. Again great to see them in a small venue like the Maze and managed to chat with Mike a little before the gig. They played a hybrid pop, rock, world music set. Very diverse and quite unlike the album they had recently produced when played live. Watt is a master though and worth seeing in any setting. Apparently the last time he played Nottingham was with J Mascis & the Fog which I saw. Forever ago.

King Crimson BSH

Sept 14th – King Crimson – Birmingham Symphony Hall

Another gig proceeded by huge anticipation. KC don’t tour often and hadn’t played in the UK for several years. Now a seven piece band with three drummers and decades of incredible complex music to draw from. Unlike Cave they have no interaction with the audience. A pre-recorded message from band leader Fripp with a request to not take pictures before the band come out immaculately dressed in dark suits. Expertly rehearsed they played songs from their 50 year history including devastating versions of ‘Starlesss’ and ’21st Century Schizoid Man’. World class genius.

Hey Colossus - The Chameleon Arts Cafe

Oct 10th – Hey Colossus & Kogumaza – The Chameleon Arts Cafe

The Chameleon Arts Cafe has a performance space in the upstairs of an already small upstairs bar. They also have enough PA to put on a loud show in Rock City. Supporting were local hard drone (?) band Kogumaza (again, check Bandcamp, they are excellent) who use finely balanced analogue / retro effects with huge volume.
Hey Colossus release two albums this year and have rightly got them selves a lot of attention. Three guitarist, bass, vocals & drums, slow builds to roaring noise. There was paint falling from the ceilings at this one. Another stunning show and a must see band.

Sisters of Mercy - Rock City

Oct 15th – Sisters of Mercy – Rock City

From the distant 80’s Goth scene I couldn’t resist the pull of Andrew Eldridge and the current Sisters of Mercy. Rock City was again completely packed even though it was a early (7.30!) show. Barely visible through the dry ice Eldridge, two guitarists & Doktor Avalanche ripped through the hits. A dense mass of youngsters slammed and swayed their shoulder dancing girlfriends while I hid on the balcony. I hadn’t seen them since the late 80’s but they gave good gig. And of course closed with Temple of Love & This Corrosion.

The Space Lady

Oct 16th – Space Lady – The Chameleon

This was pure curiosity. The Space Lady (Susan) was a street performer from San Francisco who uses a Casio keyboard and a beguiling manner to re-interpret songs from the seventies mainly. A gig is like being introduced to an obscure mystic who has plainly discovered a level that you can’t quite imagine. Precious and as hard to nail down as smoke.

God Speed You Black Emperor

Oct 22nd – GSYBE – Warwick Arts Centre

From out of left field GSYBE announced a tiny handful of UK dates. Closest to me was Warwick Arts Centre which has been rebuilt since I was last there to see Bauhaus quite a few years ago. God Speed released a great album in the early part of the year which was essential a single 40min piece of music in four movements.
I arrived early and by immense fortitude managed to stand front and centre throughout. I had anticipated the kind of crushing volume used by Swans but it turned out they have a more user friendly approach. It was loud but clean and precise. Like King Crimson they avoid anything more than a quick wave hello and a nod of the head goodbye. In-between was tidal storm of music whipped up by musicians who knew each other intimately on stage. Unmissable performance which I won’t forget.

There was supposed to be one more but I ducked out due to frailness. Next up in 2016 is Bob Mould, ‘\w/’ as the kidz say.

Albums that crossed my horizon…..

So here’s a less than comprehensive list of albums I’ve enjoyed this year. To help you along I’ll include some YouTube videos (the only irritation being regional restrictions and future take down notices – get it while its hot I say).

No chronology here. Sorry. Probably available for academics out there.

Black Mass – Dumb Flesh

A recent find although this came out early in year. One of the guys from Fuck Buttons, I’m more with the noise than the groove. Side four of the vinyl is a long nameless ambient piece which is a stunner.

Hey Colossus – Black & Gold and Radio Static High

See above about their gigging. They put out two albums this year and I couldn’t choose between them. A cracking band with a signature sound. Nothing not to like. This from Blank & Gold.

Grey Hairs – Colossal Downer

Local vendors of post grunge Stooge noise. They have a knack with covers (Final Solution & Jump Into The Fire). This is from the album though. Honourable mention to Colossal Downer for an iconic cover image.

Pop Group – Citizen Zombie

From one of the standout gigs of 2014 to a great return to the studio in 2015. Mark Stewart and the Pop Group didn’t loose a beat from their 1980’s edgy punk funk conscious dance grooves. Immaculate.

BJM – Thingy Wingy & Musique de Film Imagine’

Always prolific (thats a dumb thing to say isn’t it) and always idiosyncratic and beyond the curve. Anton Newcombe gave us two BJM albums. Played the grooves off both of them.

BJM & Tess Parks – I Declare Nothing

Another Anton project from earlier in the year. This with Tess Parks who had appeared on the Musique de Film Imagine album. Absolute corker of an album. Tess growls through the project in the classic European ingenue style.

Godspeed You! Black Emperor – Asunder, Sweet and other Distresses

Near gig of the year and near album of the year. Huge in scale but the result of tight personal connections in the band. This is the closing section of the album. Played live the entire piece was name Behemoth which is appropriate.

Rocket From The Tombs – Black Record

A surprise entry. Cult Cleveland progenitors of avant-rock came through with a new line up and finally put down some old songs. Given the age of these guys its a damn miracle. This might well be my album of the year. And of course David Thomas.

Sun Kil Moon – Universal Themes

After the sublime 2014 album Benji this came with a heap of expectation and TBH it didn’t fulfil on first listen. A couple of months on though it started to sink in. Kozalek had dug even deeper into his personal life and took pretty much himself and drummer Steve Shelly into an acoustic orchestral fantasy life.The songs change pace and the though train derails before jumping back with such intricate detail you can smell the food he mentions and feel the cold on the film set. It needs slow absorption.

Jeff Bridges – Sleeping Tapes

The Dude made a self help album for insomniacs. Yep. Pretty sure its great but I have no idea what happens at the end. If you want we can pretend to be crows.

Steve Wilson – Hand. Cannot. Erase

I had some appreciation of Wilson from his ‘Raven Songs’ album. For a short period I played the hell out of this. Through this I also found his long form drone albums. Admirable artist with a wide interest and substantial talent.

Courtney Barrett – Sometimes I Sit & Think, and Sometimes I Just Sit

Acres written about Courtney. Great album, you can see why she hit a groove. But what do I know…. I’m a phoney..

Wire – Wire

30 years at the forefront of obscurity and they can still put out a ground breaking album. At this rate in tens years they will be an overnight success. Seriously though, epic album and they use beautiful guitars.

Bjork – Vulnicura

Appearing on lists all over the place. Bjork’s lack of given fucks helps but this albums narrative of relationship fracture made it into something more human than some of her previous albums. I still can’t got Moto Crash out of my head though. The videos though….

Bob Dyan – Bootleg – The Cutting Edge

My first cheat. Yes its old but there where literally hundreds of unheard versions, sessions, breakdowns and sweepings on this. Bobcats three years of wild mercury sound. The full release needed something like 19 hours to absorb. More of a historical artefact than an album release.

Bob Dylan – Shadows in the Night

And on the other side of his career, confounding fans and critics, Bob puts out a album of Sinatra covers and shows with a pitch perfect lo-fi band & production that He Can Still Sing. This is utterly sublime……

David Gilmour – Rattle That Lock

When I first heard this it didn’t ‘grab me’ but after watching the BBC Making Of doc I was persuaded by its merits. Still enjoying it but still waiting for Comfortably Numb. This track is about encouraging young people to social insurrection so not a bad message. So Long Syd.

Keith Richards – Crosseyed Heart

The vampiric eternal life form and human riff Keef came back with a solo album. What I loved about this was the production. They had gone with studio ambience, it sounds like a band in a room, its primal, no flashy solos. The soul of rock’n’roll. Its just music, man….

Twelve – Houston V – Houston IV (HERACLEUM MANTEGAZZIANUM) – Houston We Are All Going To Die – NO_COUNTRY

The most prolific artist in the country came through with four full Twelve albums in 2015. These have accompanied me on numerous journeys, each has a different tone but mines the same electro Kraut Rock / Motorik mines of beat and groove. The penultimate frontier.

Miley Cyrus – ‘Miley Cyrus & Her Dead Petz’

This might be considered a surprise last entry. This album was fascinating in the same way that being given strange food when blindfold and trying to decide if you like it or not is fascinating. The feeling on the palette is uneasy but the gag reflex hasn’t kicked in so it must be OK? Still undecided but would definitely advise you don’t play it on the school run. You go girl….

So there you go. There are about half a dozen albums that have been recommended that I didn’t get to, Joanna Newson, Father John Misty, Public Service Broadcast, Jenny Hval, Low (which I’m sure I’d like) and also a bunch I tried but (shockingly) didn’t get.

Apologies to all who tried to guide but for the life of me I didn’t get…….

Jamie xx – In Colour

Panda Bear meets the Grim Reaper

Sufijan Stevens – Carrie & Lowell

New Order – Music Complete

Wolf Alice – My Love Is Cool

I promise to try again unless some fool brings another record out in the mean time.

Seasons Greeting to you all and remember as Uncle Frank taught us ‘Music Is The Best’.

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The Best of 2013

So, where does a year go? As we march tiredly towards the season of the Santa I offer below my year in music. Rather than doing a top ten this year it’s a chronology of the new music that crossed my radar. I struggle with lists by preference as I tend to appreciate the latest discovery or release more (a bit like having children!). In some cases they actually raised their heads during different months, sometimes in response to gigs and sometimes because I found them on This Is My Jam, which is one of the best places to find new bands and rediscover songs long forgotten. Hopefully the You Tube links will be stable for a little while but catch them while you can and my apologies for any regional restrictions encountered. Take your time, it’s all worth checking out.

 01 – Jan – La Busta Gialla  – Il Sogno Del Marinaio

Featuring Mike Watt, bass player with the Stooges, fIREhOSE, J Mascis and the marvelous Minutemen I caught Il Sogno Del Marinaio at a tiny venue in Leicester. A very individual album, more of a song cycle than a set of songs and with wide ranging references. I blogged a little about it here.

Partisan Song by Il Sogno del Marinaio

02 – Jan – Lady From Shanghai – Pere Ubu

I saw Pere Ubu many years ago in London and they are one of those mythic bands that drift into memory. I was surprised to see that they were playing at the Rescue Rooms in Nottingham and not knowing their recent (and consistently strange) output over recent years was intrigued to take a look. David Thomas is an idiosyncratic artist. Well worth reading more about if you like your artists focused on the process and not the audience. Real grumpy as well. The gig was 90% new material form the current record.

414 Seconds by Pere Ubu

03 – Feb – m.b.v – My Bloody Valentine

A lot has been written about m.b.v. Snook out after 14 years in production via their website one Sunday night in February it was universally well received. But you know all this. If I was scoring them this would be in the upper reaches.

New You by My Bloody Valentine

04 – Feb – Push the Sky Away – NCATBS

Nick Cave is one of my favourite artists and this is a beautiful album. A fairly small set of Bad Seeds used on this but to great effect. An artist so far ahead of the pack and I suspect still heading to the top of game (to mix a few metaphors). This album features one the greatest opening song lyrics ever committed – see Mermaids. Bad man….

Jubilee Street by Nick Cave & the Bad Seeds

05 – Feb – AMOK – Atoms For Peace

Tom Yorke and his ‘super group’ Atoms for Peace. An expansion of his previous solo album and another diverse mix of styles and references. As with all super groups the end doesn’t always equal the sum of the parts but engaging and original non the less.

Amok by Atoms for Peace

06 – Feb – The Raven That Refused to Sing and Other Stories – Steven Wilson

An artist new to me and discovered through TIMJ. It’s probably been used but think contemporary Mike Oldfield. Keeping the prog flag flying.

The Raven That Refused to Sing by Steve Wilson

07 – March – Next Day – David Bowie

Another artist sneaking a new project out with ut warning after extended leave. He followed up ‘Where Are We Now’ with the brilliant ‘Next Day’ album. Still milking the franchise with an ‘extra’ edition somewhat cynically but the original song set was an impressive return. This was my favourite track and has a great video.

The Stars Are Out Tonight by David Bowie

08 – March – Chelsea Light Moving – Chelsea Light Moving

Thurston Moore, after quitting Sonic Youth and splitting with Kim Gordon released his contribution to the new projects from Lee Renaldo and Gordon. Still very ‘Youth’. Would have loved to see them live but the tour was cursory in the UK.

Burroughs by Chelsea Light Moving

09 – March – The Invisible Way – Low

Low first came to my attention when Robert Plant covered a couple of their songs and since then I’ve amassed quite a few of their many albums. They all have a different character and the Invisible Way is quite subtle in many ways. Managed to see them in November and they give good gig. Their mastery of the quite / loud dynamic is black belt standard.

Plastic Cup by Low

10 – May – More Light – Primal Scream

I played this album to death when it came out. A massive double album with some impressive material. The song below is probably one of the more low key tracks but the mixed up second half really makes it work. The album also featured a slightly cleaned up version of the Grinderman ‘Worm Tamer’ track which was a surprise.

River of Pain by Primal Scream

11 – June – Tomorrows Harvest – Boards of Canada

One of those bands I had heard about but not really experimented with. In many ways they have become a softer experience and I prefer the earlier ‘left field’ albums. Still an interesting record when taken at the appropriate time.

Reach for the Dead by Boards of Canada

12 – July – Peace, Love & Sympathy – Six By.Seven

A new Six By.Seven album from Chris Olley. I know Chris a little bit and he is a committed and prolific artist. Along with his solo and electro beat music he got the band back together with a brilliant and dynamic new drummer for this album. Their homecoming gig in Nottingham was huge and really enjoyable. More about that here including a live version of this track.

Sympathy by Six By.Seven

13 – July – Slow Focus – Fuck Buttons

Like the Boards of Canada I was encouraged to try this record. Sonic terrorists with flashing lights. Unfortunately I missed their local gig but I’ve very much enjoyed discovering their material.

Brainfreeze by Fuck Buttons

14 – July – The Big Dream – David Lynch

Just incredible. David Lynch makes unique music. This is darker than Crazy Clown Time and features Lynch on some very distorted guitar and heavily processed vocals. There is nothing else like it. He post released an additional track ‘Bad the John Boy’ which is so dark it sucks light out the room.

Star Dream Girl by David Lynch

15 – Aug – Civil Wars – Civil Wars

Nu-Folk but done well (think, completely unlike Mumford & Sons). It was however pretty much this track that I bought the album for. A cover of the Smashing Pumpkins epic, Disarm.

Disarm by Civil Wars

16 – Aug – The Bootleg Series Vol. 10 – Another Self Portrait (1969–1971) – Bob Dylan

The Bobcat came out with Vol 10 of the Bootleg series and a real curve ball choice. Featuring material from Self Portrait & New Morning as well as the Isle of Wight concert in 1970 it was probably the lowest down most Dylanites list of preferred re-issues. It does however sound fresh and alive and proves Dylans history isn’t just his presumed classics.

Pretty Saro by Bob Dylan

17 – Sept – And I’ll Scratch Yours – Various – Peter Gabriel

Completing his ‘Scratch my Back’ project, this compilation of Gabriel songs features a number of artists covering his songs. A mixed bag but with some highlights. This being the highest even before the poignancy of Lou’s demise.

Solsbury Hill – Lou Reed

18– Sept – Dream River – Bill Callahan

Another highlight. I became aware of Bill/Smog through I Break Horses a couple of years ago. His album though is very high up the list of memorable 2013 issues. Lyrically and musically individual. Another sadly brief number of UK shows, maybe next time.

Javelin UnLanding by Bill Callahan

19 – Sept – Man & Myth – Roy Harper

And another artist steeping out of retirement with a solid return. I was never the biggest Harper fan but he does have moments of genius. Unfortunately his year went downhill but the jury is still out.

The Exile by Roy Harper

20 – Oct – Lightning Bolt – Pearl Jam

Eddie and the Lightening Rods flashing around again. Not peak era Pearl Jam but good for a blast. Maybe they are just too big now.

Sirens by Pearl Jam

21 – Oct – Last Night on Earth – Lee Ranaldo & the Dust

More ex-Sonic Youth output. Of all of them this is my favourite and it’s been hammered in the car. With Youth drummer Steve Shelly included it has some huge songs and great guitar work outs. Another band very high on the ‘wltm’ list.

The Rising Tide by Lee Ranaldo & the Dust

22 – Oct – Birmingham (Live) – Steve Harley & Cockney Rebel

As a long standing fan of Steve Harley & Cockney Rebel I don’t know why I missed the live shows but at least the double album release of Human Menagerie & Psychomodo turned out well. Exhuberant performances of some timeless songs.

Tumbling Down by Steve Harley & Cockney Rebel

23 – Nov – Sweet Summer Sun, Hyde Park 2013 – Rolling Stones

Yep. The Stones got it back together and they are still breathing and on good form. I wasn’t there. I don’t like crowds…..

Miss You by the Rolling Stones

24 – Dec – Live from KCRW – NCATBS

A possibly opportunistic live release of some material from Push The Sky Away and a few other tracks. However, its completely brilliant, especially Higgs Boson Blues (absolutely the best song of the year) and an evil version of Jack The Ripper.

Mercy Seat by Nick Cave & the Bad Seeds

25 – Dec – Live from the Cellar Door – Neil Young

Cheating slightly here because at the time of writing this hasn’t been released. I have heard about half of it though and I’m really looking forward to it.

Cinnamon Girl by Neil Young

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The Elephant in the Gallery

20130809-184940.jpg

After reading Georges post on the George Thornton Gallery blog about the value of printmaking I had a world of comment gush up on me. I studied fine art and specialised in Print Making at Winchester School of Art waaaaaaay back in the eighties. I totally treasure printmaking as a beautiful alchemical process that more often than not exemplifies skills in drawing and composition that more free forms of two dimensional art dodge. There are many artists whose output in this genre at least equals their painterly production – Picasso, Goya & Bonnard spring to mind but the list far longer.

In his blog George discussed two of my favourite artists, Salvador & Bob. I admired Salvador quite a long time before I became a full blown Bobcat. Dali was an unmitigated transcendental genius. His drafting skill is beyond comprehension. He was also a master of self promotion and highly ‘brand aware’ half a century before the phrase birthed. Dali had a commercial awareness and understood his value. As a superstar artist of his generation he was subject to opportunistic fakery and this materialised in his Limited Edition Print activities. The up shot was that he signed thousands of blank sheets of paper. In doing this he undermined the value of not only the fakes but his own work but established a mystique around his work that elevated his own perceived stock.

20130411-214301.jpg

I own a Dali print, maybe. It could be any number of things, a real print with a real signature, a fake print with either a real or fake signature or potentially a real print with a fake signature. At this distance I doubt the existence of many experts who could decipher the truth. Well done Salvador.

Dylan, in a much repeated interview in the mid sixties was described by a journalist as the ‘spokesman for a generation’. Dylan’s response was ‘No, I’m just a song & dance man’ perhaps the greatest understatement of his career. Dylan must be possessed of superhuman self confidence as he has always ploughed his own path musically. Even in recent years he has mystified audiences with ‘unusual’ versions of his classic songs and extreme vocal styles. Like Dali he is utterly self aware and brand loyal. His visual output has been just as idiosyncratic and subject to criticism as is music. By any stroke he isn’t a world class draughtsman and as with his music he has been accused of plagiarism. I don’t own a ‘Bob’ but I did buy the first ‘Drawn Blank‘ book (and paid a lot more than I did for the Dali print). I admire his process and have viewed the prints with interest. Being close to the types of processes that produce works of the type that are selling the process and supply chain is very interesting. You can’t buy a ‘Bob’ for much under £1000.00. The galleries that show these (Castle Galleries/Washington Green) report high levels of sales. Margins are misty but ‘the piece of paper’ would be less than 5% of the cost in it self and the margin to the artist and his management will be clear in the chain. Personally I think they are OK prints. They are however taking relatively small original pieces and enlarging well beyond their passable scale. This is plainly because something ‘big’ has a higher value than something ‘small’.
As with any work of art the value is determined by the market. Anybody who buys a Dylan on the basis of investment should consider caveat emptor. If I had a grand lying around I would buy one, not for any potential investment but because I would like to see it when I walked passed it every day rather than having to open a book. And strangely, on consideration it probably wouldn’t matter which picture it was as long as it had that 5 square centimeter pencil signature at the bottom. Oddly I received an invite to the 2013 edition review today.

Drawn Blank

That, (and here is where it gets misty) is my point. Art is like voodoo. It’s about memory, association, faith & connection. If what you see fits your expectation and you believe it’s from the place you think it’s from you will be happy with your experience. We all like to be connected to something bigger. It marks the lamppost in our cultural neighbourhood.

…..and if you would like to buy an original limited edition giclee print from an original lino block print circa 1986 called ‘Hope & Forgetfulness’ like the one at the top I have 6 only left with no intention to make any more. £35.00 each plus postage. Make a connection.

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My Albums of 2012

It’s been a funny year for new music, not many of the old artists bringing new records out (just re-releases and re-markets) and a awful lot of new music from big contemporary artists being pretty ropey and second rate. The nastiness of X-Factor  & BGT still pervades the UK airwaves and TV…..shudders….

Still there have been some interesting events and I have to thank @thisismyjam and the enthusiasm of the users for introducing me to artists that had passed me by before. So in no particular order, here are a few high points from 2012.

Bobby Womack – The Bravest Man In The Universe

Stunning comeback album for a soul legend.  Assisted by Damon Albarn & Richard Russell. www.bobbywomack.com 

Tame Impala – Lonerism

These discovered through This Is My Jam. Psychedelic tinged indie from Australia. They must have absorbed a lot of prog and more than a little Hawkwind to sound like this.

Dinosaur Jr – I Bet On Sky

The third album from the fully reformed Dinosaur Jr. The formula still works but this album even had keyboards. Played this a lot when it came out.

Sun Kil Moon – Among The Leaves

Another Jam discovered band. There are a lot of American artists hanging out in the folk field. These guys stand out though. Particularly liked the first album but this is from the 2012 album of the same name.

Neil Young – Psychedelic Pill

Neil back with Crazy Horse. Following up on the Americana album. A double album of long jam based songs. Maybe patchy but classic Horse.

Grizzly Bear – Shields

This kept showing up on my Amazon page as ‘recommended for you’. Once I looked it up I understood why. This the opening track is excellent.

Heavy Blanket – Heavy Blanket 

I was really excited when I heard about this. Instrumental jams by J Mascis and two school friends, pre Dinosaur but re-recorded for this. Just noise, great noise though…

David Byrne and St Vincent – Love This Giant

A wonderful oddity, DB, Annie and a brass band. How could that ever work? This is my favourite track from the album. I ended up digging out the Knee Plays album after this came out.

Bob Dylan – Tempest

Bob came back with this his 35th studio album. Now in his seventies this is as dark as it gets. Utterly poetic, obviously deeply researched and referencing the history of humankind. I have played this endlessly, trying to pick through the themes. The opening track is the lightest lyrically but he undermines it with this cruel video about a stalker getting beaten up in the name of love or lust. The only one that You Tube has and probably soon to disappear.

Patti Smith – Banga

Another poet who really just gets better & better. Banga is a brilliant record that covers so much ground across many years. This song written for Johnny Depp who also plays on the album.

 

So there you go. A quick trawl through the thousands of hours of music I have been playing over the last year. I hope you found something you like and maybe something new.

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Bob

This is a quick one. Today in the car I listened to ‘The Minneapolis Party Tape’ & ‘Tempest’ Bookends to a 51 year career by the greatest song & dance act on the circuit. Those big friendly arms at Sony make it difficult to share freely available content but (hopefully) here are two bits of content that illustrate a huge journey navigated by wilful intent and muse chasing far beyond that attempted by even the most dedicated circus act.

 

This is from 1964. At the time of this recording I was a pre-mewling infant awaiting my birth…

 

 

This is from earlier in the year. Americas great * hope President in the presence of greaterness. You can see Bob feigning humble, but you have to look close.

 

 

This from the same gig…

 

 

The new album ‘Tempest’ is an amazing & lyrical record that spans subjects and soundtracks them back into the primary beats of America. I’ll need another dozen listens to assimilate the stories in the songs. Bob is anything but ‘content lite’.

…and anyone who suggests his voice is gone should listen harder. Modulated poptones it ain’t. The voice of a dozen generations it is.

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David Bowie

It was Bob Dylan’s birthday last Tuesday (bear with me
here…). Whilst I love Bob the options on posting a Bob show are infinite. As
the most bootlegged artist ever, and as he has been touring since the Old Testament
was written, there are literally thousands of shows, demo’s, outtakes, radio
shows & chitter chatter I wouldn’t know where to start. Also, the lovely
people at Sony are somewhat protective of their clients material. It’s difficult
to even share a video on Facebook without a ‘view on You Tube only’ message.

So, on Tuesday there was a mass of comment on the www and
also Twitter. One of the guys I follow on TW spent the entire 24hrs posting
links to Bob related content including lots of great covers. The one that
really got me was the following.

This is the equally enigmatic David Bowie covering one of
Dylan’s more recent masterpieces, the wonderful ‘Trying to Get to Heaven’. This
is an outtake from the ‘Hours’ album. All I can find about it is that a South
American radio show leaked it. It’s a great quality audio with some collaged
stills from the period.

I really hope we get to hear some new material from Bowie one day soon. He’s a one in a million artist and I’ve pretty much run out of stuff to buy.

I have only seen Bowie once. It was some while ago when the ‘Earthling’
album came out. The upside was that it was at Rock City in Nottingham and I
managed to stand about 10 foot from the front & centre. I really liked the
album and as he’s a crowd pleaser he did loads of old material as well. His
band included Gail Anne Dorsey, Mick Garson & Reeves Gabriel, all of whom
are on the following show.

This is an absolutely epic show from Madison Square Gardens
in 1997 titled ‘50 Dead Dogs’. It was Bowie’s 5oth birthday and as well as
covering new material he has guests including Robert Smith from the Cure, Frank
Black from the Pixies, Sonic Youth, Peter Frampton, Billy Corgan and many more.
The quality is perfect.

(Broken Link. Leave a comment if you would like to hear this)

Track listing here.

I can’t find any official release trail on this but I’m happy to take the link down on request.

Now lets see if this gets more hits than Kate did last week. She’s a popular girl.

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