One of the ‘left overs’ from the Hemsby Havok page is a couple of rolls of Holga 120mm film. I took a roll of Kodak colour film and a roll of Ilford B/W (both out of date) with me. Unlike iPhonography its old school point and shoot with no preview or review. I very mush intended to make use of every exposure and tend part wind the frames so there are double exposures and near panoramas. After getting the film developed (or washed, a phrase I like) I get them scanned as a single strip and then chop and process them on iPad in Snapseed (with a little bit of Photoshop).
These are mainly taken on the dunes or on the beach. I’ve not added any imagery or cleaned them other than a little sharpness & contrast. They have the vagary of memory, fleeting and not entirely accurate. I still find them evocative.
This is the first set from the colour film roll. I had the view set to 16 frames so the individual frames are a little more portrait than the 12 view. Click on any of the images for full screen view.
The second set are from the B/W film. The linear & text artefacts are from the editing process, accidental but included for continuity.
One final addition, also a result of road trip is a musical piece. There are little roads and alleys in the are near where we stayed called ‘The Craft’ and ‘The Loke’ (bar, bolt) which to my mind have a slightly witchy and medieval connotation. For that reason this ‘song’ uses (just like the ‘Hounds of Love’) a little background noise from the brilliant movie ‘Night of the Demon’.
There are 3 or 4 basic levels of slide guitar noise used in this, all recorded one evening after the children had passed into exhausted reverie, using the CBG guitar, iRig and Amplitube. Its turned out unexpectedly very much as I’d intended.
This is ‘The Great Yare’ My advice is to play it loud.
adrian4 
Motion Blur on The Loke
A couple of these pictures appeared on ‘Hemsby Havok’ page for last month. I took a dozen or more pictures using long exposure and moving the camera around. Several retain traces of the place, a low sunset shining through a gap in the hedge at the back of the caravan site, but in the main they are almost completely abstracted. At the time I was waiting for the barbecue to settle down from fire to cooking mode whilst entertaining a bottle of Spanish beer. Now summers gone, like the fire and the beer, but at least there are the memories……
All of the pictures are post processed in Snapseed for colour saturation and sharpness.
I’m also including here a new song. This is called ‘The Loke’. I saw this on a street sign in the areas around Hemsby. There is something of a witchy nature to the place. The number of very large churches very close together in what are quite small villages seems to indicate an embedded guilt or need for absolution. I had a need to watch The Wicker Man & Night of the Demon when we got home. It seems a Loke is a cul-de-sac or dead end in this context but Wiktionary suggests ‘from Middle English *loke, from Old English loca (“a bar, bolt; enclosure, stronghold”), from Proto-Germanic *lukô, *lukōn (“lock, opening”), from Proto-Indo-European *lewg- (“to bend, turn”).’
Its the first piece that I’ve done that features a special guest stunt guitarist. We managed to avoid the traditional process of collaboration and its mearly fortuitous that this works. The Soundcloud link shows a subtitle of ‘Pre Reprieve’ as theres a good chance this might not be the final or only version of the track.
As with many of the other pieces this is made with iRig and Amplitube on iPad, includes Ebow and other screech making devices. It also makes more controlled use of the drum builder in GarageBand. I think its quite a step forward but maybe I’m easily pleased.
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Tagged as Amplitube, Hemsby Havok, iRig, Loke, Motion Blur, Music, Norfolk