Tag Archives: Ambient

Glove of Bones – Mabinogi

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This from my on-going project site The Glove Of Bones. I’m really happy with this outcome. It’s exactly as I planned – long, narrative free, a visual drone, a tied in soundscape (which I was really pleased to persuade Cousin Silas to help with). It’s a long piece at 72 minutes and I’m unsure how many might make it to the end, it is however in three easier to digest sections, each with their own character. I hope you take the leap and click on the link.

A film by The Glove Of Bones.

Taking it’s title from the Medieval text, The Mabinogion (a loose translation of this being Juvenile Distractions), this new work of film and original music takes on non-narrative considerations about passing time, the joy of travel & landscape, musings on history and our broader connection to our ancestors through reflection and our progeny through creative acts.

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In recent years I’ve collected materials when taking the annual Summer break holidays. These often return as blog diaries with pictorial content, and more recently as associated songs & sounds. This year, on the 4 1/2 hour drive to Wales some vague project came to mind, fragments, ways of collecting content, some notional endpoint started whispering.

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From the point of arrival, in the rain, with this sat-nav avoiding single track road as our entry point, it started to come together. The piece would directly connect to the place, the local elements, history and the joy of distraction that comes from being away from your natural home.

Filmed in August 2016 around Pembroke in Wales with some underlying sounds either recorded in the area or made during the trip.

Additional tone and texture in the soundtrack was provided by acclaimed ambient musician Cousin Silas.

As with the original text which has four ‘Branches’ or short stories (additional tales where added later), the film is split into three sections, each bearing a Welsh language title. These link to Earth, Water & Air in some ways.

This is the Mabinogi as dreamed by the Glove Of Bones

The piece is split into three sections, or branches.

1- Taith Hir (Long Road) – 20mins
2- Tonnau Araf (Slow Wave) – 30mins
3- Breuddwydion mewn carreg y Pentre Ifan (Stone Dreams at Pentre Ifan) – 20mins

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pentre-ifan-01

Please anticipate after thoughts to be added below.

Useful links below;

https://www.gloveofbones.com

http://www.mabinogion.info

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A Warmer Welcome – Via The Glove of Bones

digitalDIZZY

The Glove of Bones is very pleased to have a track include in the 110 track various artists compilation from digitalDIZZY produced to raise funds for the Refugee’s Welcome organisation. There is a nasty isolationist attitude in the general political atmosphere in the UK and its commendable that creative/arts organisations spread the word of tolerance and charity that is often missing from the broader culture.

(dD88)
A Warmer Welcome is a benefit release for #refugees welcome
www.refugees-welcome.org.uk

In times of crises, British people have always answered the call and banded together with other friendly nations to speak out, send aid and provide refuge.
Along with local groups and national organisations, we’re ready to respond to this crises; welcoming refugees from abroad and encouraging our political leaders to do more.
We’re ready to welcome people fleeing from violence and persecution.
We’re ready to find homes, help children to settle and bring Civil Society together.
We’re ready to answer the call once again.

Compiled by Ruby & Lamorna for digitalDIZZY | Feb 2016
Artwork | Pamela Caughey
www.pamelacaughey.com

<>
credits
released February 15, 2016

Please listen, purchase & share. The music on offer here is cutting edge from hugely committed independent artists.

A huge thanks to Ruby Black for previous support of the Glove of Bones and for bringing this great project together.

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The Glove of Dub

Little Shadow

The following is shared from the Glove of Bones site which I hope you find in your heart to follow. I am of course utterly responsible for this, but also very pleased with the message on offer.

Information below…..

It has finally concluded. Whilst I’m very pleased to stand by and support the previous 50/50 and OST pieces, the ‘Glove of Dub’ really does feel like an arrival. Given the intuitive and chancy process this auditory content emerges from, this is the best dressed and most suitably prepared for public gaze to date.

It still whispers obscenities in the ear and has the embarrassing attitude of exposing the occasional slab of bare flesh in an inappropriate circumstance, but has enough personality to carry off its indiscretions.

I can’t thank the fun loving and diversely aware digitalDIZZY label enough for giving this project a virtual home.

If you have a thing for context, knock your self out with some Google fun on the titles. It really might help to explain this sprawling noise.

FREE downloads are available from the Bandcamp site.

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Glove of Bones – Pictures and new releases

Quite a busy week on the Glove of Bones site. Please visit the site and sign up for notifications. Its not bad.

Thank you for your attention to this matter.

Re-posting the last two blogs here for brevity.

Little Armstrong & the King of Nightmares battle on the Final Frontier

Little Armstrong & the King of Nightmares battle on the Final Frontier

Showing here for the first time are the raw scans of the images used in the Book of Bones to illustrate the songs. As previously detailed these images are a collaborative effort between my children and my self. I provided them with a list of elements; a spaceman, a ghost, some fish, a monster, a guitar etc – and left them to it. The versions that appear on these pages are my reproductions of their creations.

Art History, chemistry and whispered obscenities in Dr Killicks informal apothecary

Art History, chemistry and whispered obscenities in Dr Killicks informal apothecary

Looking for the Big Fish and foraging for Wild Mercury in Missoula & Hibbing

Looking for the Big Fish and foraging for Wild Mercury in Missoula & Hibbing

The next stage for these will be some small edits and corrections before putting them back into print, possibly with a view to producing a limited edition.

Standing on the Persians grave, dreaming and waiting for Blake's ghost

Standing on the Persians grave, dreaming and waiting for Blake’s ghost

Home is where the heart and soul briefly reside between flights of desire and imagination

Home is where the heart and soul briefly reside between flights of desire and imagination

Two recent associated musical projects have also been posted to Bandcamp this week. Both are available as free downloads in high quality FLAC files.

Ourobus New

On Tuesday 3rd of November the brilliant digitalDIZZY net label released the Soundtrack of the Glove of Bones film on their Bandcamp page. It’s great to get this vote of confidence and interest in some of the creations from this project.

The OST for the film can be downloaded in high quality FLAC format for free on the links below.

50/50 – Song Cycle

Awen New

The release of the OST seemed to be an appropriate prompt to release the 50/50 song cycle on Bandcamp. This is also a free download but also includes so hopefully interesting additional products.

 

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Glove of Films

GoB 03

On one of the ‘other’ channels of my on-line time frittering I did this. Please feel free to follow The Glove of Bones if you don’t mind inviting this kind of occurrence into your digital file. If nothing else it uses a very nice theme.

Information in relation to work flow.

When I started planning the musical aspect of 50/50 it was under the A4+ brand, as per previous issues. The theme of biography was implicit, the format (five 10 minute songs, each broadly representing a decade of life) was built in, and other intentions of continuity (all the visual content would be monochrome for example) seemed reasonably attainable.

As with all such grand schemes it seemed likely that supplementary materials would emerge so the idea of an epilog sprang to mind (and in fact inspired the ‘segue’ pieces), cutting in existing references into a mash-up, sweeping the floor, exhibiting good recycling practices. At some indeterminate point the ‘Glove of Bones’ phrase gained traction and from that the idea of a filmed piece. This is the outcome.

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“The tooth root and aching backbone of the Glove of Bones creative project was an idea for a road movie without a road, a biography without a chronology or subject and an imaginary soundtrack for a film, based around a real movie.”

Almost a film in five equal sections with both structured musical content and more abstract found, soundscapes, atmosphere. Holmes would have a field day with the evidence but like all good conspiracy pedlars, I prefer to protect my sources.

GoB 01

I would like particular to credit the use of the ‘Holcombe Tarot’ by Wayne Burrows. I’m continually impressed by his diversity of creation. The Tarot can be seen in use somewhere around the 25 minute mark.

There are a small number of filmic references which movie geeks will spot. They are cited as points of reference for the various immersions the biographical subject has encountered and soaked up. I do not and would never claim any rights to these reflections.

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NueChromeWaVe – Album4

Vague Wave II

A very brief post to advise that for interested parties I’ve completed a new series of songs.

Most have appeared here in earlier form over the last 3 or 4 months but they are now collated together and available for your listening delectation.

The series has a page of its own which you can enjoy here. This has lots of pictures and a brief summary of each song together with links to additional detail previously posted.

Should wish to own this item it’s free unless you wish to donate to the cause. To pursue this option please visit the Bandcamp site through the links below.

Thank you for your attention to this matter.

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Sea Song and other fictions….the album.

Sea Song Project

I can now report that my third musical venture has landed. ‘Sea Song and other fictions’ is available to buy and download from my Band Camp page. You can find it here.

Logo

I have written an epilog / postmortem /sleeve note for the project which has its own page here . I hope this goes some small way to explain the project.

Thank you for your attention to this matter.

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Sea Song (Water In My Eye) Revisited

I’m posting this for house keeping as much as interest. This has been on the blog as page for quite some time. That particular page will be replaced to reflect the larger project in the next few days but I didn’t want to lose this entirely. So, step back in time to November 2013 and dive into ‘Sea Song’.

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This piece started life in the back of my mind a month or more before we went on holiday in September. I used some ‘field noise’ in a few of my previous audio creations and broadly had in mind something in the ambient vein, lengthy and unstructured, painterly if at all possible.

As I’m not bound by the need to be taken seriously or to generate income from these exercises I’m blessed with the freedom to let the process happen. As with many good intentions I collected far less environmental noise than I had hoped and ended up with only limited material. From the beginning of the piece there is an almost white noise wave hiss, this has been chopped, echoed, stretched and spliced through out the piece.

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The rhythm track is built up using 60bpm sequences created in DMX#1 on iPad. The intent being to slow down the heart rate, much like the calming experience of watching waves hit a beach or as is used further on, watching the flow from a water fall hit the pool below.

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Further related images and sounds were gathered from both Wollaton Park and Newstead Abbey. Newstead in particular has a feature lake that feeds a number of water features, falls & streams that have all given poetic and meditative pleasure for many years. Like the wind effects I used in the Gib Hill piece these environmental backdrops provide an anchored and enduring point of reference for deep lying human experience.

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I had very much intended to create a single lengthy work and the overall extent of the final item (which runs to a little over 24mins) was determined by a 4x stretch of the base wave noise recorded in Majorca. True speed usage of the sound also reveals the only human noise, the voices of children jumping waves.

Through the more intense third quarter the sounds from the waterfall at Newstead take precedence, that absorbing crushing flow (recorded from behind the fall), linked with the guitar feedback and single note bass.

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The still images included here are shot on an iPhone using the Hipstmatic app. Hipstamatic was the reason I first got an iPhone four years ago and still find it to be a hybrid of dice and sketch pad when it comes to snatching an affected memory. In the first instance these had a monochrome sepia tone but this has been removed for a pure grainy B/W final image.

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In much the same way the video content has been captured on the iPhone and processed, de-coloured, filtered and slowed down using iMovie. The hypnotic effect of letting your eyes  defocus whilst staring at the sea or a reflecting pool, Narcissus face flowing into the weeds and pebbles under the surface of the water. The movie was shot in HD and all credit to You Tube for taking the best part of 24hrs to cook the file into a viewable movie.

This is the full audio version of Sea Song (Water in my Eye)

This is the video.

Please enjoy, download and share freely.

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The Lost Children of Dol Tor

Crop01-Dol Tor

The keen eyed will notice that this is my second reference to Dol Tor. I had been messing with Korg Gadet noises and DMX1 drum tracks around the same time that I took the road trip a couple of weeks ago. It made sense to connect them.

Crop02-Dol Tor

Within the song notion was an intention to use the flowing drone and tidal wave of Korg Gadget noise and a fast, almost drum’n’bass rhythm element. This came through with some degree of satisfaction fairly easily. The trip to Dol Tor bought to mind the connection between that ancient landscape appreciation of environment, natural space, transient sky and a tribal community spirit of absorption in the previous, joined with a not insignificant degree of hedonism and party spirit.

I’ve tried to blur the disparity of the two main sound elements in the track using some additional rhythmic elements and three pieces of guitar noise made with Ebow, one of which is reversed and echoed. It’s very much like drawing with two media – say charcoal & watercolour – and then using your thumb to soften the edges. In relation to some of the previous sound projects I’ve made it’s fairly sparse in tracks.

Crop03-Dol Tor
The final element which is only subtly present is a piece of ‘field recording’.
Recently Cousin Silas questioned the use of field recording or more accurately the definition of this. In many cases it might be a texture, a sonic layer with direct and illustrative reference, waves, thunder, rain, chattering voices. I would say there is a difference between a sound effect whether self sourced or researched, and a piece of content used for its particular connection to the piece. In this piece some where in the first and third minute there is a slight fluttering sound. Whilst it runs through the whole track it’s only barely noticeable but, it being the sound of the wind in leaves at the time the video was made – in that time and place – I hope it ties the audio to the theme, a voodoo hair in the hand of the shaman.

The video elements are made on iPhone using the iSupa8 app in HD. I’ve used all but two pieces of film and worked them chronologically. It’s come out as a kind of archeological scrapping of the site or a forensic investigation of events – a Will Graham mind palace of association – looking for clues and getting into the consciousness of the previous inhabitants.

 

The most recent users of the site most likely had a similar respect for the environment and expressed a connection to the architect ancestors. They have left small tokens and signs of their activity including crystals, Ojibwe, ribbons and the evidence of fire.

The pictures that accompany this are multi-exposed analog 120 film shots from a Holga camera. Using the constraint of the film I tried to form four specific sequences, joined by over exposure. I enjoy the high level of chance in this process and have yet to be disappointed by the out come.

 

 

Given a greater freedom of time to construct these pieces I might be more focused on the amount of content and material I create and more selective in the elements that I use. Every element is a roll of the dice and thus far I have been lucky with the numbers facing up.

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Winterval Interlude

Fairground 01

Welcome to 2014 on one of the least overrated blogs on the inter web. This is my year for art, music, activism and unfulfilled promise. I will be regularly missing self imposed deadlines, relying on the the tolerance and disbelief of my audience and increasing my already embarrassing typo count by homophoning it in with scant regard for linguistic convention and spell check. Your patience is appreciated.

First up this year is a little sound scape that made it through the distractions of seasonal celebration. It will probably go with the ‘Sea Song and Other Fictions’ project although i’m still undecided in which direction to take this. I have an urge to be a little more punk in approach but I might need to hit on Amazon Local for some cheap studio time in which to do some shouting.

‘Winterval Interlude’ uses sounds and images from Ye Olde Market Square in Nottingham. They have an event called Winter Wonderland and I have to confess that I do….wonder… But the kids quite like it and you can never have enough German Markets and Ostrich Burger (or is the Austrich Burghers?).

Here is the video. It uses iSuper8 spliced up in iMovie with lots of filtering. Although its a little overused I really like the ripple drop  transition between shots. There are a few shots of Nottingham’s Victoria Centre in there as well although I’ve tried to avoid anything specifically ‘Christmassy’, aiming more for the Winter Holiday event itself.

If however you are a committed audiophile and more interested in the sonic qualities in the music, please enjoy the following link from Soundcloud.

Now, I recently read a piece on LinkedIn about how the British are often unnecessarily self deprecating when promoting their skills and creative endeavours. Currently I am free from the need to promote my ‘content’ in order to generate income or credibility. I enjoy my spare moments of creativity and don’t try to intellectualise the materials I release into the world. That isn’t to say that I don’t put a good deal of thought into them and try to produce a sequence of ideas that feed on their siblings.  Out of this sequence the thing I am most content with is the following image.

This is piece of pure app lead iPhonography, using three separate images a stew of 6 editing apps. At full resolution it would be half a meter square.

Winter Drops

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